Elevator Speech

Wonder Why The Right Words Never Come

Asked for a line or two about what kind of photos I shoot, I wrote “my pictures are often taken at the edge of town, and if they’re about anything, it’s the mix of industrial and rural activity going on there.”

And that seems to be where I’m at for now. Far more capable photographers have got the Natural Scenic Wonders of the Pacific Northwest ™ angle covered, and although I’m not ruling it out, I’m not sure I’m ready to wade into Eugene’s street scene. So I’m touring the outskirts and the industrial districts, looking for signs of the changing economic landscape in the actual geographic landscape.

Or, in less elevated but more honest terms, looking for good pictures.




Firs Bowl, January Morning

When I was an art major a long time ago, I spent a lot of energy worrying about the meaning and purpose of my paintings. Something like that is going on again with my photographs, but this time with no professors asking me to defend my work.  It’s just me on my own, bothering myself. Am I documenting the changing landscape of Eugene? You know, deliberately? Or maybe I’m commenting on the American Dream, or the state of capitalism, or urban sprawl.

I don’t want to do any of those things, at least not on purpose. Every time I construct an intellectual scaffolding around my artistic work in any medium, I end up in a silly and painful tangle of internal arguments. And I stop making work.

The truth is I’m drawn by what looks beautiful to me. Mysterious. Often this seems to be the result of some combination of artificial lights and temporary emptiness. And a strong emotional reaction to the place as a place: This place–building, lot, landscape–couldn’t look like this anywhere else. As fast as we build standardized, lookalike strip malls and fast food franchises, nature moves steadily and with irresistible force, beating on walls with rain and wind, depositing mold spores in siding and rust on roof vents, sending up moss and grasses through cracks in the asphalt. Everything is local.

The road ahead


Storm Approaching Reno: September 22, 2016

This is what I saw the last time I left Reno: a storm brewing that never quite broke. I knew life would be different, but I couldn’t see yet how different.

For now I’m taking pictures; it’s an interesting enough pursuit to be both a distraction and a kind of self-medication. It’s not the first time I’ve taken pictures. In one way or another, I’ve been making pictures most of my life. Suddenly, though, I’m interested in photographs for their own sake, not just as reference material for paintings or stories.

My first “serious” photographs — meaning photographs in which I pay attention to such photographer-ish things as exposure and saturation — are like the one above: moody landscapes, self-consciously striving for gravitas. In other words, they’re a lot like my paintings used to be.

But that seems to be changing. I don’t have a goal. I just want to keep going, and stay open to inspiration. Even if in large part because that keeps me from dwelling on the pain.

Letter to Some Guy in a Yearbook

Three months ago I wrote a letter to my father introducing myself. While I wrote it I was sharply aware that, like me for most of my life, he might have never guessed that he had this genetic relationship with a complete stranger.

As first letters to parents go, it’s dry. When I sent it to my best friend for vetting, she wondered why it was so weighed down with facts: lists of names and places, detailed timelines, complicated genealogical connections. I felt I needed to submit evidence that I really was this guy’s daughter, not some nutcase who’d stalked him on the internet.

“Where’s the emotion?” she asked. “Don’t be afraid to show him your feelings.”

As if I had any idea what my feelings were.

Eight years ago, when I was 43, my mom told me I was adopted; or rather, she said she wasn’t my birth mother. The story was, as the Facebook status says, complicated. One early summer afternoon, she told me, a woman came to their house. The woman regretted to inform them that my dad had gotten her teenage daughter pregnant at a party, and that he needed to take responsibility for the child.

After my dad confessed, when the yelling and the tears had faded, and a blood test quieted their last doubts, my mom decided the whole situation was a gift from God. She’d always wanted children, but two miscarriages followed by a hysterectomy had left her without hope. Now she had the chance to raise her husband’s child. So after the woman’s daughter gave birth to me, they took me into their home and brought me up as their own, swearing never to tell anyone else—especially me—how or to whom I’d been born. As far as they were concerned, I was their child, and that was that.

Being so much older than most of my schoolmates’ parents (in my dad’s case, decades older), their brand of parental affection was brewed in an earlier time, and was fortified with a brisk shot of old-fashioned strictness. I was the kid whose mom dressed me funny: Until that magical adolescent moment when I discovered I could talk back without risking execution, she sent me to school in clothes that reminded her of her own childhood in pre-war Germany. I might as well have worn a dirndl dress, or lederhosen.

And because of my dad’s vast and decidedly unhip music collection, I grew up hearing Jimmy Dorsey and Louis Armstrong and watching The Lawrence Welk Show on our Magnavox record player/television console set. I had no idea who the Beatles were until I started middle school (for reference that was in 1975, fully half a decade after their breakup). For sure I was the only kid in my school who knew the first names of the Lennon Sisters—why, they’re the lovely Janet, Kathy, Peggy, and Dianne.

After my dad died my mom kept the secret of my birth, giving me impatient answers to my endless questions about family history, until one day she got a letter from my half-sister, someone I had no idea existed. She was the granddaughter of the woman who came to my parents’ house that day in Baltimore, and she was searching for me, her mother’s lost other daughter.

For three years my half-sister pleaded with my mom to tell me the truth. Our mutual birth mother had died of cancer, and she felt it was my right to at least know my medical history. When she finally threatened to contact me directly, my now-frail mom sat me down at her kitchen table and miserably explained it all. Central to her story was the fact that even though I was born to another woman, I was my dad’s daughter, and that she forgave him, not because she was a saint, but because she realized it was God’s way of giving her my dad’s—her husband’s—child.

But today, thanks to direct-to-consumer DNA testing, I know that I’m not my dad’s child. Whatever genes are splayed along the paternal half of my chromosomes, they didn’t come from the black-haired boiler room mechanic who played piano by ear and always wanted to be a musician. Instead my genes come from someone whose face I only know from a few fuzzy yearbook pictures I finagled by signing up on a high school alumni website under false pretenses. Maybe, I think, I can see a bit of my own too-wide, slightly-pained smile on him, this guy my birth mother had a crush on in high school.

Through the alumni site, I’ve learned a few other things: He became a Navy diver and a pentathlete, which seem like unimaginably exotic pursuits to me, a board-certified mouth-breathing dodgeball reject. From the handful of autobiographical paragraphs he wrote for his reunion, he seems articulate and smart. He’s married, and his wife has a Facebook page that I’ve poked around on, feeling a bit grubby and stalkerish for doing it. They have two chic, sporty-looking daughters, younger than me, it appears, by more than a decade. They look so little like me it was days before it hit me that they too are my half-sisters.

I’d known of this yearbook guy’s existence, and the possibility that he was my birth father, almost from the beginning. Way back when, the first time I talked to one of my uncles, he told me that none of the family at the time had ever thought my dad was  my birth father. But despite my sudden interest in genealogy and DNA, I didn’t want to look.

In the first place, I wasn’t sure I believed it. Their feelings weren’t to be trusted, I thought, and especially not my birth mother’s feelings. She was blinded by love. I’d been a teenage girl myself once, and it seemed obvious to me that she’d prefer to think her baby came from the guy she’d been moony over, and not some older man, some “friend of the family’s.”

And my dad had raised me, had paid the rent and put the food on the table. Why did I need another father? I wanted to feel about my dad the way he had clearly tried to feel about me: He raised me, I was his, end of story.

Finally, I didn’t know what I would do if it were true. Certainly I could never let my mom find out; it would break her heart. And what would I want if I found him? To meet him? Just satisfy my curiosity, and if that was it, curiosity about what, exactly? I am who I am, no matter which half of my chromosomes came from whom. Aren’t I?

Other animals don’t appear to care much about who their daddies might be. Mammals in particular don’t: The very name of our biological classification comes from our dependence on our mothers as newborns. In some species, fatherhood seems to be the lethal concern only of interloping adults: If the new male in the family suspects the babies aren’t his, he kills them.

And while it’s true that among some primates, having the “right” father can confer some protective status on the infants, research in that area is turning up complications in that story.

There’s a theory that the great contribution of fathers to children comes down to sperm donation, and that the parenting part of it is almost entirely the mythology of a human socioeconomic system.1 It’s the mothers who generate all the attention, get sent all the flowers, take all the blame. Even Darth Vader just missed his mom.

The knowledge that I’ll never meet my birth mother sometimes rises up, a sneaker wave, surprising me with a flood of grief and something that feels very much like despair. One day I was sweeping the floor when “Jimmy Mack” by Martha and Vandellas came on. I’ve always loved that terminally upbeat song, even though it’s half a radio-listening generation before my time. Somehow I knew that my birth mother had loved it too, and without any warning I was sobbing helplessly on the floor.

I haven’t cried over my father. Even my sadness at the displacement of my dad from my genome is more of a puzzling disappointment than a real grief, a vague sense of loss with blurry edges.

I typed the letter up in Evernote and printed it out, planning to handwrite it on nice paper, if and when I decided to send it. Right now, even as I finish this post, it’s sitting in a manila folder in my laptop bag, waiting for me to figure out how I feel.


1. Kraemer, Sebastian (1991). The Origins of Fatherhood: An Ancient Family Process. Family Process, 30. 377-392.